James Benjamin Franklin: Full Circle

at Cranbrook Art Museum

Nov 05—Mar 19, 2023

Jbf rise 2022 1300 xxx q82
James Benjamin Franklin, Rise, 2022. Acrylic, fabric, plaster, sand, glitter and epoxy on extruded polystyrene. 82 ½ x 79 x 3 ¼ inches
Jbf accord 2022 1300 xxx q82
James Benjamin Franklin, Accord, 2022. Acrylic, fabric, plaster, sand and epoxy on extruded polystyrene, 82 ½ x 77 ½ x 3 ¼ in
Jbf aim 2022 1300 xxx q82
James Benjamin Franklin, Aim, 2022. Acrylic, fabric, plaster, sand and epoxy on extruded polystyrene, 82 ½ x 79 x 3 ¼ in
Jbf with 2022 1300 xxx q82
James Benjamin Franklin, Aim, 2022. Acrylic, fabric, plaster, sand and epoxy on extruded polystyrene. 82 ½ x 79 x 3 ¼ in
Jbf retain 2022 1300 xxx q82
James Benjamin Franklin, Retain, 2022. Acrylic, fabric, plaster, sand and epoxy on extruded polystyrene, 82 x 79 x 3 ¼ in
Jbf be 2022 1300 xxx q82
James Benjamin Franklin, Be, 2022. Acrylic, fabric, plaster, sand, glitter and epoxy on extruded polystyrene, 82 ¼ x 80 x 3 ¼ in
Jbf heir 2022 1300 xxx q82
James Benjamin Franklin, Heir, 2022. Acrylic, fabric, plaster, sand and epoxy on extruded polystyrene, 82 x 79 x 3 ¼ in
Jbf sum 2022 1300 xxx q82
James Benjamin Franklin, Sum, 2022. Acrylic, fabric, plaster, sand, glitter and epoxy on extruded polystyrene, 82 ½ x 79 ½ x 2 ¼ in
Jbf sway 2022 1300 xxx q82
James Benjamin Franklin, Sway, 2022. Acrylic, fabric, plaster, sand, glitter and epoxy on extruded polystyrene, 82 x 79 x 3 ¼ in
Jbf wish 2022 1300 xxx q82
James Benjamin Franklin, Wish, 2022. Acrylic, fabric, plaster, sand, glitter and epoxy on extruded polystyrene, 81 ¾ x 77 ¼ x 3 ¼ in
Jbf halt 2022 1300 xxx q82
James Benjamin Franklin, Halt, 2022. Acrylic, fabric, plaster, sand and epoxy on extruded polystyrene, 81 x 75 x 3 ¼ in

Art Member's Preview Party, 6-9 PM, November 4, 2022

Buy tickets for the Art Members Fall Preview Party here.

Public Opening November 5, 2022

Visit the Cranbrook Museum of Art website for more information.

 

Rebelling against the confines of the rectilinear canvas became a generative theme for several twentieth-century painters—Carmen Herrera, Lee Bontecou, Frank Stella, Blinky Palermo, Alan Shields, Kenneth Noland, Elizabeth Murray, and Sam Gilliam, for instance. While many of these pioneers adopted hard-edged geometric forms and flat fields of judicious color for their abstract compositions, Detroit-based painter James Benjamin Franklin has opted instead for an organic, irregularly edged canvas, the introduction of found textile materials, and a blend of fluid paint and strategic brushwork all rendered in a bold and lush color palette.

Turning the canvas into a thick-lipped, albeit vertically oriented, “tray” allows Franklin to hold a plethora of materials in a mix of painterly and sculptural practices—pieces of crochet afghan, old towels, swathes of fabric, or offcuts of pile carpet are assembled and overlaid with poured and brushed paint and occasionally dusted with glitter or sand. The organic shapes that he gives the canvases, the free and loose application of paint, combined with their rich and colorful textural surfaces imbue the works with an inventive materiality and a contemporary handcrafted sensibility.

For his first solo museum exhibition in Detroit, Franklin returns to the Cranbrook campus, where he studied at the Academy of Art, to create an entirely new body of work that further develops these exciting themes and innovative processes.

James Benjamin Franklin (b. Tacoma, Washington) is an artist based in Detroit, Michigan. His distinctive canvases push the boundaries between painting and sculpture. Franklin received his BFA from Art Center College of Design, Los Angeles, in 1999 and his MFA in Painting in 2017 from Cranbrook Academy of Art, Bloomfield Hills, Michigan. His work has been featured in exhibitions at the Kentucky Museum of Art and Craft, Louisville; FRONT International, the Cleveland Institute of Art, Ohio; Night Gallery, Los Angeles; the Museum of Contemporary Art, Detroit; and Proyectos Monclova, Mexico City. His work has been featured in Bomb Magazine, Galerie Magazine, Hyperallergic, and the New York Times. The artist is represented by Reyes | Finn Gallery, Detroit, Michigan.

James Benjamin Franklin: Full Circle is curated by Andrew Satake Blauvelt and organized by Cranbrook Art Museum. The exhibition is generously supported by the Gilbert Family Foundation, the George Francoeur Art Museum Exhibition Fund, Dirk Denison and David Salkin, Karen and Drew Bacon, and Andrea Brown and Jonah Stutz. Promotional assistance provided by Reyes|Finn Gallery.